ceramics

Ceramicists, Apprentices or Part-Timers? On the Modelling and Assembling of Peak Sanctuary Figurines

Céline Murphy (IE)

Who Modelled and Assembled Peak Sanctuary Figurines?

In this paper, I explore the pervasive, yet only partially investigated, question of who made peak sanctuary figurines. Peak sanctuary figurines are small anthropomorphic and zoomorphic clay representations, found by the thousands at Cretan Bronze Age mountain sites, alongside a range of utilitarian ceramic vessels and, occasionally, ceramic votive body parts and models, metal objects, stone vessels and small pebble clusters.

Ancient Distillation and Experimental Archaeology about the Prehistoric Apparatuses of Tepe Gawra

Maria Rosaria Belgiorno (CY)
11th EAC Trento 2019
***The Perfume Theme Park Museum of Cyprus’ research protocol of Experimental Archaeology (https://www.perfumecypark.org), aims at verifying hypotheses of ancient perfume manufacturing processes, to formulate a possible comparison with modern realities derived from the island’s ancient cultural heritage. What has recently emerged...

Fine Pottery Chaîne Opératoire from the Bronze Age site of Via Ordiere, Solarolo (RA, IT): Experiments on the Relationship between Surface Treatments and Function

A. La Torre,
G. Mannino and
A. Zurzolo (IT)
11th EAC Trento 2019
***The aim of this experimental work was to catch a glimpse of the pottery chaîne opératoire, particularly linked to the surfaces treatments applied, in order to better understand what type of traces they could leave on pots and how they could differently affect the use of final products...

Experimental Study of Byzantine Chafing Dishes

Georgia Vakasira (GR)

Introduction

Byzantine chafing dishes constitute one of the least studied utensils of the Byzantine household. Though a series of publications discuss them in a more detailed manner (Morgan, 1942; Bakirtzis, 1989; Sanders, 1995; François, 2010; Poulou-Papadimitriou, 2008; Vassiliou, 2016), most of our knowledge about chafing dishes derives from their fleeting mention in excavation reports, where they are listed among other finds and only briefly described.

CRAFTER: An Experimental Approach to Fire-Induced Alteration of Pottery Fabrics

Carlos Velasco Felipe,
José María Bellón and
Bartolomé Bellón (ES)
In doing an inventory of ceramic materials from archaeological excavations, it is a common practice to indicate their observable atmosphere of firing. This parameter refers to the presence of gases, especially oxygen, during the firing and cooling of pottery: if oxygen circulates freely, the procedure is said to be oxidising; if, on the contrary, the atmosphere of firing lacks free air, it is called reducing...

CRAFTER: Re-creating Vatin Pottery 2: an Examination of Clay Quality and its Behaviour

Vesna Vučković and
Dejan Jovanović (RS)

The Bronze Age Vatin culture has been known in archaeology as a cultural phenomenon distinguished by a specific material culture which existed between c. 2200 to 1600 B.C. in the region of the southern part of the Pannonian Plain, and the area along the lower Sava river and south of the Danube river. The Vatin culture followed on from the Early Bronze Age cultures in the region, indicating stabilization in this area after the disintegration of the Aeneolithic Vučedol culture by tribes from the Russian steppe (Garašanin 1979, p. 504; cf.

Event Review: CRAFTER: Back to Bronze Age Craftsmanship: International Meeting of Potters and Archaeologists

Ágnes Király (HU)
At the end of October 2018, nearly 30 experts – potters and archaeologists – met in the city of Mula (Murcia, Spain) to study Europe’s Bronze Age pottery-making techniques. The event was the initiation stage of the CRAFTER project (Crafting Europe in the Bronze Age and Today), implemented in the framework of the European Year of Cultural Heritage 2018 and the Creative Europe Program...