Late Middle Ages

NGO "Chorna Galych" (UA)

Chorna Halych is a public organization that unites professional and amateur historians, artists, craftspeople and people who are interested in the medieval history and culture of Ukraine, and its role and place in the European area. Therefore, we are engaged in research, recreation and implementation of everyday life, cuisine, art, crafts and military matters of the Galician and Volyn lands of the Kingdom of Rus in the 13th and 14th centuries. The main tasks of the organization are social development and education.

Large part of our activity is interaction with youth, increasing their level of interest in history by involving them in interactive classes and training in medieval swordplay.
We present our activity mainly with lectures, interactive lessons of living history, thematic events that take place in educational institutions or archaeological (open-air) museums.

Crafts and areas in which Chorna Halych members take part at:

#FinallyFriday: Building Engagement

Date
Organised by
EXARC
Country
the Netherlands

Open-air museums are always looking for ways to engage the public. What is the best way to offer visitors a glimpse into the past? How can open-air museums be used to address issues of interpretation and social responsibility in the modern world? Zsolt Sári and Luke Winter join us for December’s #FinallyFriday to discuss their different approaches to these questions.

Pottery Chat

Date
Organised by
EXARC
Country
the Netherlands


Following the Potter’s Wheel Conference in November, we will have a potter’s chat open to anybody. Discussion is open about any pottery related subject, wheel throwing, clays, ethnography, but also pottery trade, using ceramics, breakage and their archaeology.

The Shroud of Turin and the Extra Sheds of Warping Threads. How Hard can it be to Set up a 3/1 Chevron Twill, Herringbone on a Warp-weighted Loom?

Antoinette Merete Olsen (NO)
On the 10 May 2020, Mr. Hugh Farey sent me an email. He introduced himself as “a researcher into the weaving of the linen cloth known as the Shroud of Turin”. Then he described the size of the Shroud and how it looked. His question to me was this: “If you had a piece of cloth as described and looked at it closely, could you tell if it was made by a warp-weighted or treadle loom, or would there be no difference?”...