Archaeological Open-Air Museum

History in Motion: Colonial Williamsburg

Nikola Krstović (RS)
Boundaries are always an interesting topic. In the framework of the current heritage buzz word decolonization, boundaries might also represent what is “colonised” in every cultural enterprise, or to be more specific, how and why some form of power obtruded its authority, and to what extent. Like almost all other museums, Colonial Williamsburg deals with the past. The past has its own boundaries that...

Vacation in the Past - Effective Heritage Interpretation through Education

Réka Vasszi (HU)
2018 EXARC in Kernave
***Heritage sites are breathing memories from the past; however, visitors can hardly imagine or experience the ancient life on the spot. In fact, these visits are supposed to conjure up journeys back into the past and park managers should facilitate such experiences by the most effective means possible in order to help tourists gain...

Castrum Corcagiensis - Roman Experimental Archaeology in Ireland

Martin McAree (IE)
Barrack blocks were a central feature in any Roman fort and functioned as the living spaces for a Century and its officers. While Roman forts varied in size from just over an acre for a simple ‘numerius’ fort, to over 55 acers for some large ‘legionary’ forts such as Deva (Chester), the layout of a barrack block...

Build It and They Will Come: Managing Archaeological Open-Air Museums in Britain for Stability

Lydia Hendry (UK)
Museums are among the most visited attractions in the UK (ALVA 2015), and with interactive displays and active engagement becoming more commonplace, this success can be capitalised on by archaeological open-air museums. Some European archaeological open-air museums entertain many visitors per year, although most are smaller institutions (Paardekooper 2012)...

“Days of Living Archaeology” at the Prehistoric Archaeopark Vsestary, Czech Republic

Radomír Tichý (CZ)
Until recently, the presentation of archaeology in the Czech Republic was solely connected to classic museum exhibitions. Unfortunately, not all museums have archaeological exhibitions. For example, the National Museum in Prague currently does not have any, not even temporary, archaeological exhibition due to the reconstruction of the historical building...

Museums as Good Places

David Anderson (UK)

It was a bold and challenging brief. The trustees decided to commission two alternative reports. They invited Patrick Geddes, the pioneering biologist, sociologist, environmentalist, social reformer and city planner, to produce one of these, and T. H. Mawson the other. For Geddes, this was an opportunity to bring together his life's work across many disciplines in one visionary scheme. He spent months, with the assistance of a photographer, recording almost every square yard of the city, before submitting his plan.

The Potential for Open-Air Sites: a Diversified Approach in Emilia, Italy

D. Delpiano,
F. Garbasi and
F. Fontana (IT)
The development of open-air cultural heritage and archaeological areas is based upon their optimal safeguarding and management, and through the public awareness they generate. In this paper, considering different management issues and end goals, we will demonstrate how, through cooperation among specialized professionals, local authorities and ...

A Course in Experiential Archaeology at an Archeopark as a Part of Active University Education

V. Mikešová and
D. Maršálek (CZ)
As with any other science, archaeology constantly adopts new methods and trends over time. University education in the field can be very helpful advancing sciences in every country. This type of education influences the early stages of future top scientists and forms their future careers. Therefore, education should reflect not only scientific innovations but also innovative educational methods...

A Different Look at the Past - a Tour with Objects at the Archaeological Open-Air Museum Oerlinghausen

Sylvia Crumbach (DE)
Due to the inclusion program at schools in North Rhine Westphalia, the need arose to organise guided tours through the museum in such a way that visually impaired participants could be included in the experience. The idea was to offer an additional level of experiencing information through touch, by creating individual purpose-made objects...