jewellery

The analysis of archaeological works of art involves their formal, thematic and interpretative description. The importance of these stages rests in their potential to reveal the biography of an artefact. Research methods investigating the production technology behind an object are a valuable factor extending the field of interpretation of a given object. Each finished work is the result of a creative process...

11th EAC Trento 2019
***This paper aims to present a techno-functional study of lignite ornamental objects found during the Fedele excavations (1977-1980) in the Boira Fusca Cave (Cuorgnè, Salto-Turin, Italy). The site demonstrates a chrono-cultural sequence which extends from the late Palaeolithic to the Modern era...

11th EAC Trento 2019
***The purpose of this paper is to explain our experience with the process of experimental archaeology, involving the reproduction and field testing of embossed decorations, inspired to archaeological finds. As a re-enactment group focused on Celts and Ligurians of III – II century BC we reproduce items and/or ornaments...

The present work is a reconstruction which was made with two objectives in mind. Thee first was to experiment with heat-treating of amber, a technique already hypothesised by Von Eles (1995), in order to verify possible resin alteration due to heating. Although already tried in the past (Fiorentini, 2018b) after having conducted some cold-working experiments (Fiorentini, 2018a)...

Craftsmanship relies upon the silent knowledge of the skilled experience of the creative workings of the hands, a knowledge that is difficult to convert to written characters without creating a blur of words that make very little sense. Theoretical reasoning lacks the dialogue with, and the resistance from, the raw material. Making up a picture of how wax, clay and metal would behave without practical experience of them is...

Experiment Background

Unfortunately, no intact furnaces survive. Only the base plates for these potential furnaces and an additional scattering of sherds exist in the archaeological record. Thus, the shape of the body, lid, and chimneys must be inferred and then tested through experimental bead production.

1999 Wilhelminaoord Workshop
***Since the 1940s we have had a discussion in Scandinavia concerning ancient mould-making methods. The question of different methods in the production of ceramic moulds has taken a large part in these discussions; by lost wax or by direct matrix-methods...

1999 Wilhelminaoord Workshop
***The hoard of Farébersviller (Moselle, France) was discovered in 1991 during rescue excavations (See Image above). This set contains 130 "bronze" artifacts, which date to the Late Bronze Age (8th century BC)...

1999 Wilhelminaoord Workshop
***The limits of precision casting were explored experimentally at the Bronze Casting Workshop at Wilhelminaoord, the Netherlands, by making wax models, moulds and lost wax castings using essentially early metalworking conditions. Geometrically patterned models of Dark Age type dies were used to...