Chalcolithic

Book Review: Dressing Prehistory (Oblekani Praveku) by K. Urbanová and J. T. Pulpán

Helena Březinová (CZ)
A unique popular education publication called Oblékání pravěku (Dressing prehistory) has appeared on the Czech book market. It is a work by archaeologist Kristýna Urbanová, and Jan T. Půlpán, an experienced experimenter. At first glance the book attracts attention with an unusually large format, well chosen because of the foundation elements of the publication – colour photographs...

Book Review: Skanseny Archeologiczne i Archeologia Eksperymentalna by Jan Gancarski

Justyna Duda (PL)
The book Skanseny Archeologiczne i Archeologia Eksperymentalna published by the Podkarpackie Muzeum in 2012 brings up the subject of open-air museums, opportunities and disadvantages of the promotion of cultural tourism and experimental archaeology mainly in Poland but also in Slovakia. Articles presented in this book were prepared for two different conferences organised by this museum...

Leo Wolterbeek

Member of EXARC since
E-mail address
woudenbeek [at] gmail.com
Country
the Netherlands

My work has always been about love for nature and the outdoors. I grew up on one of the oldest organic-dynamic horticulture companies in the Netherlands, Sloterland, and received love for nature from early start.

Historia Mundi

Date
-
Organised by
Historia Mundi (BE)
Country
Belgium

This event is unique in its kind. It only happens once a year in Belgium that all historical associations are assembled in the form of a multi-period camp. During this camp we make a journey through World History. This happens in an encampment built in the style and the tradition of the presented period.

Maria-Louise Sidoroff PhD

Member of EXARC since
E-mail address
maria.sidoroff [at] gmail.com
Country
USA
Crafts & Skills

For over thirty years I have investigated the techniques of traditional modern potters. I use the information in technological analysis of prehistoric ceramics as I worked with directors of archaeological excavations earlier in Israel and Peru and now in Jordan.

Conference: Archaeological Open-Air Museums: Reconstruction and Reenactment – Reality or Fiction?

Date
-
Country
Poland

The Subcarpathian Museum of Krosno and its branch, the Carpathian Troy Archaeological Open-Air Museum at Trzcinica, Poland, are organising an International Conference entitled “Open-Air Archaeological Museums: Reconstruction and Reenactment – Reality or Fiction?” which will be held on 18 and 19 October this year.

Beyond School - Workshops in Experimental Archaeology at the Museum (Romania)

Vasile Diaconu (RO)
Experimental archaeology, as an educational means, has become a particularly useful practice in museum institutions in Romania, although there is no tradition in this field. Here, we present activities of the History and Ethnography Museum in Târgu Neamţ, where several experimental archaeology workshops were organised for pupils aged between 9 and 12 years. Participants were introduced to the prehistoric technologies...

‘Re-rolling’ a Mummy: an Experimental Spectacle at Manchester Museum

Lidija McKnight (UK)

Introduction

The unwrapping and dissection of mummified bodies was a common practice in 19th century Europe. These autopsies were conducted as part of scientific endeavours and social spectacles, motivated by a desire to advance the fields of science, medicine and archaeology, coupled with a sense of macabre fascination (Moshenska, 2014). The scientific capability required to study mummified remains non-invasively had yet to be developed, leading to the destruction of many hundreds of specimens. 

The Forgotten Movement – A (Re)construction of Prehistoric Dances

Ivana Turčin (HR)

However, after studying archaeological artistic depictions, historical descriptions and contemporary ethnographic examples as the main research sources for the history of dance and dance movement and its development in the context of early human history, we created a conceptual reconstruction of prehistoric dances. It was presented in the form of an educational dance performance with the goal of presenting the archaeological heritage through a possible vision of dances and dance movements from a number of selected prehistoric periods: Neolithic, Chalcolithic, and Bronze Age.