Newest Era

What Does Your Visitor Experience? Making the Most of Live Interpretation in a Unique Setting

Marc van Hasselt (NL)
OpenArch Special Digest 2015 Issue 2
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...

Drs Luc Eekhout

Member of EXARC since
E-mail address
lucaseekhout [at] live.nl
Country
the Netherlands
Crafts & Skills

Studied history at Leiden University. Director of the National Dutch Carriage Museum (1992-2010), Director of the Eindhoven Museum (2010-2014), Director Heeswijk Castle (2015-present), Chairman of International Council of Museums (ICOM), National Committee The Netherlands (2016-present).

Conference Review: Managing Archaeological Open-Air Museums: Current Issues, Future Trends

Roeland Paardekooper (NL)
OpenArch: In late May 2015, St Fagans National History Museum in Wales organized a three day meeting in and around Cardiff for OpenArch. This is a European Culture Project with 11 partners that work to improve archaeological open-air museums. The first day of the meeting was a conference on issues and trends in archaeological open-air museums...

Making Wine like Iberians: a Learning Experience with the International Workcamp at La Ciutadella Ibèrica of Calafell

M. Gómez,
J. Pou and
O. Saura (ES)

The international workcamp in Calafell

The workcamps in Calafell are coordinated by the Fundació Pere Tarrés, a non-profit organisation of social action devoted to the promotion of leisure education and volunteering among other objectives, and the municipality of Calafell is one of the organisations that support these workcamps. So far La Ciutadella Ibèrica has held three of these projects (2010, 2012 and 2013) with international volunteers being the core theme of the activity.

Museum Theatre in Greece: Perspectives in Site Interpretation

Foteini Venieri and
Nikonanou Niki (GR)

Introduction

Museum theatre as an umbrella-term is used to describe a variety of performative events aimed to interpret fragments of cultural heritage. In the framework of one of the main challenges contemporary museums face, that of having a social impact while dealing with heritage, whom values and narratives can always be “contested and disputed” (Smith 2011, 70), museum theatre has proved that not only can it enforce a constructivist approach in a museum environment but it can also generate debate and promote critical thinking on controversial issues (Farthing 2010).

Conference Review: 9th Experimental Archaeology Conference, Dublin 2015

Katy Whitaker (UK)
EAC Conferences
***The ninth Experimental Archaeology Conference was held over 16-18 January 2015 at University College Dublin (Ireland). A large gathering of nearly 200 delegates from more than 25 countries across the EU and the Americas was hosted by UCD School of Archaeology and the Irish National Heritage Park. Twenty papers and 26 posters...