Mixed Matters

The UK Heritage Crafts Association

Daniel Carpenter (UK)
The Heritage Crafts Association is the UK advocacy body for traditional heritage crafts. Working in partnership with Government and key agencies, it provides a focus for craftspeople, groups, societies and guilds, as well as individuals who care about the loss of traditional crafts skills, and works towards a healthy and sustainable framework for the future...

Butser Ancient Farm: An Internship Full of Senses

Àngels Fernández Canals (ES)
‘What is experimental archaeology?’ people asked me. ‘But if you work within an experimental place, you won’t be able to put into practise the tools learned in your Masters about cultural heritage and museology’ said some of my classmates. However, for me it was really important to do my internship in a place where the archaeology was paramount; at the same time, I was interested in...

Interview: "Right Time, Right Place" with Jürgen Weiner

Wulf Hein (DE)
Jürgen Weiner - you can’t get away with not knowing this name if you are involved in Experimental Archaeology, even more if it involves flint. Weiner has published numerous works and he is known as a walking encyclopaedia. Along with Marquardt Lund, I met Jürgen and his charming wife in their house near Cologne. Our interview took place on a pleasant June afternoon in the garden...

Event Review: TRACamp, A Roman Experimental Archaeology Workshop

Lee Graña (UK)
Experiments have always been an integral part of scientific investigation. Nevertheless, the more complex nature of heritage studies such as archaeology and ancient history -often interdisciplinary by nature- has delayed the development of clear and reliable methodologies for including experiments into broader research objectives. Apprehension towards inclusion of experiments seems to increase when...

CRAFTER: Re-creating Vatin Pottery

Vesna Vučković and
Dejan Jovanović (RS)
An attempt to re-create pottery of the Vatin culture has been made within the Crafter project (Crafting Europe in the Bronze Age and Today), whose aim is to help revive modern-day artisanship by drawing inspiration from Bronze Age pottery of four European Bronze Age societies: El Argar (Spain), Únětice (Central Europe), Füzesabony (eastern Hungary) and Vatin (Serbia)...

Event Review: NEMO Training Course ‘Regional Development through Heritage in Sweden’ in Östersund, Sweden

Annemarie Pothaar (NL)
Annemarie Pothaar was selected to attend the one day NEMO training course on 29th June 2018 in Östersund Sweden. This was facilitated by the Jamtli Foundation and the Nordic Centre of Heritage Learning and Creativity (NCK). The meeting was attended by six colleagues coming from different countries, including the Netherlands and Azerbaijan...

Conference Review: Reconstructive & Experimental Archaeology Conference REARC 2018

Susan Verberg (US)
REARC Conferences
***The 8th annual Reconstructive and Experimental Archaeology Conference hosted by EXARC drew speakers and participants from many parts of the world. The REARC conference was once again hosted by Colonial Williamsburg in Virginia, from October 18-20th. Friday was reserved for the presentation of papers...

Conference Review: 2018 EXAR Tagung in Unteruhldingen (DE)

Roeland Paardekooper (NL)
For the annual Tagung (conference), about 120 people convened in the southernmost point of Germany, at Lake Constance, near the borders of Switzerland and Austria. This conference is the perfect networking event for experimental archaeology in the German spoken part of Europe. Out of the 27 lectures, 25 were presented in German. The strength, but also its weakness, of the conference is that anything goes...

Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots

Dave Meyers (US)
The ‘West Coast Cumbria’ hoard, discovered in 2014, is a late ninth/ early tenth-century Viking silver hoard, housed at the Beacon Museum, Whitehaven, UK. It is composed of 20 Viking silver objects: bar-shaped ingots and ornaments, in various stages of fragmentation (PAS ‘Find-ID’ LANCUM-FA14C8). One, complete ingot (museum no. 2016.162.5) bears coarse cloth-impressions on its upper surface...