living history

In Germany, for several years now it has become increasingly significant as a means of reflecting the cultural exchange of archaeological open-air museums, as well as in scientific discussions and interdisciplinary meetings

National interest in re-production of history started when the Ethnological Commission of Westphalia called together with Freilichtmuseum Cloppenburg, one of the oldest German open-air museums, a conference on the topic of “Living history in the Museum” in 2007 in Cloppenburg, Niedersachsen. Subsequent conferences made it clear that - apart from predictable doubts about the reliability and quality of the reconstructions of historical life-worlds and events - there was a significant dissonance regarding terminologies.

Introduction

Museum theatre as an umbrella-term is used to describe a variety of performative events aimed to interpret fragments of cultural heritage. In the framework of one of the main challenges contemporary museums face, that of having a social impact while dealing with heritage, whom values and narratives can always be “contested and disputed” (Smith 2011, 70), museum theatre has proved that not only can it enforce a constructivist approach in a museum environment but it can also generate debate and promote critical thinking on controversial issues (Farthing 2010).