Following the Potter’s Wheel Conference in November, we will have a potter’s chat open to anybody. Discussion is open about any pottery related subject, wheel throwing, clays, ethnography, but also pottery trade, using ceramics, breakage and their archaeology.
I am a curator of the prehistory collections of the National Museum of Archeology of Catalonia (Barcelona) and associate lecturer at the Autonomous University of Barcelona where I teach subjects related to technology from an experimental point of view.
Humboldt State University (HSU), in Northern California, is a small community-based campus, situated in the great redwoods of the Pacific North coast. The college town setting on the California North Coast, 8 miles (13 km) north of Eureka is notable for its natural beauty. The university is divided into three colleges: the College of Arts, Humanities, and Social Sciences; the College of Natural Resources and Sciences; and the College of Professional Studies.
Students are provided with a holistic education in the discipline of Anthropology. As part of the curriculum in the Department of Anthropology, students can explore numerous avenues in Experimental Archaeology, including flintknapping, metal casting, basketry, cordage, textiles, and bookbinding, just to name a few.
With a name that’s derived from the Old Norse of the Vikings – haugr meaning a mound and byr - that’s bound up with a medieval legend of a dragon and a knight, it’s no surprise that La Hougue Bie is a magical and surprising place creating a truly memorable experience, home to one of the ten oldest buildings in the world.
According to a folk tale, the mound of La Hougue Bie takes its name from the Lordship of Hambye in nearby Normandy. While the legend tells the story of a dragon and the knight who killed it, others interpret it as a tale of the Christianisation of the old pagan site, with the dragon representing the old beliefs and the knight the new religion of Christianity.
Dorset cultures were spread throughout the Canadian Arctic and Greenland between 800 BC and 1300 AD (Friesen and Mason, 2016). There is considerable academic discussion surrounding Dorset society, focusing especially on topics such as social organisation, the reason for their disappearance, and the nature of their development from pre-Dorset cultures. However, a general point of agreement is that Dorset material culture has always been considered geographically, and even to some extent temporally, uniform (Maxwell, 1985).
As a national center for learning about and promoting Ainu history and culture, Upopoy (National Ainu Museum and Park) (ウポポイ(民族共生象徴空間）) enables people of all nationalities and ages to learn about the Ainu’s worldview and respect for nature. It also acts as a symbol of a society based on mutual respect and coexistence, passing on and sharing various aspects of Ainu culture, which has developed over many years and is influenced by the surrounding nature.
The Ainu are an indigenous people in the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese, a spirituality that holds that spirits dwell in every part of the natural world, traditional dances that are performed at family events and festivals, and crafts such as wood carving and embroidery that incorporate unique patterns.
Archaeological experimentation is fundamentally a methodological tool used in fundamental research and has now been established, in an increasingly consistent way, in the fields of formal and informal training.
As a multifaceted craftsperson I have always been interested in the ''making of" anything really, but more specifically tools, practical objects and decoration. Working with ceramics and incense during my BA ignited more of the interest in experimental archaeology.
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Phone: +(31) 6 40263273
Website: EXARC.net
Email: info@exarc.net
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