education

Event Review: Daily Life and Feasting in the Neolithic: Celebrating the Tenth Anniversary of Experience in Experimental Archaeology at the Steinzeitdorf Albersdorf

Tosca Friedrich,
Birte Meller and
Rüdiger Kelm (DE)
OpenArch Special Digest 2015 Issue 2
***During summer 2014, just over 30 students from Archaeological Studies at the University of Hamburg, as well as four children, participated in a practical week of experimental archaeology at the Steinzeitdorf Albersdorf. In preparation for this week, the students attended a seminar at the University of Hamburg...

Education

1. The process of teaching or training.
2. The learning received.
Definition source: Chambers 21st Century Dictionary

What Does Your Visitor Experience? Making the Most of Live Interpretation in a Unique Setting

Marc van Hasselt (NL)
OpenArch Special Digest 2015 Issue 2
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...

Museum Theatre in Greece: Perspectives in Site Interpretation

Foteini Venieri and
Nikonanou Niki (GR)

Introduction

Museum theatre as an umbrella-term is used to describe a variety of performative events aimed to interpret fragments of cultural heritage. In the framework of one of the main challenges contemporary museums face, that of having a social impact while dealing with heritage, whom values and narratives can always be “contested and disputed” (Smith 2011, 70), museum theatre has proved that not only can it enforce a constructivist approach in a museum environment but it can also generate debate and promote critical thinking on controversial issues (Farthing 2010).

The Steinzeitpark Dithmarschen (DE): Concept and Development of a Visitor Oriented Educational Centre for Sustainable Development

Rüdiger Kelm (DE)
OpenArch Special Digest 2015 Issue 2
***What does a Stone Age village or Stone Age house look like? (Almost) every person that we happen to randomly meet can answer this question with (subjectively recognized) certainty. Since the research of the 19th century, the knowledge people assume to have is based, not lastly, on images or...

“You could See it [the Past] in your Mind”: What Impact might Living History Performance Have on the Historical Consciousness of Young People?

Ceri Jones (UK)

Combining theoretical perspectives with two case studies carried out in 2008 with British students aged from 10-17 years old, this paper will explore how living history might contribute to the development of young people’s historical consciousness and help them to cope with the social and cultural differences which confront them when learning about the past. In particular, it will focus on the effectiveness of first- and third-person interpretation.

120 Years of Strategies and Experiences in Educational and Handicraft Skills

Rüdiger Kelm (DE)
OpenArch Dialogue with Skills Issue
***One aim of the five year EU-funded Culture Project OpenArch is to encourage cooperation between archaeological open-air museums in Europe and ethnological open-air museums who have a long history of presenting and handicraft to the public in practical ways...

A Playground Amongst Museums - The Bauspielplatz: from an Open-air Youth Centre to a History Experience Site - an Unusual Development

Frank Kock (DE)
Being a Bauspielplatz [adventure playground] usually means that children have a place to meet, play, be creative, get in contact with animals and nature and even do ‘dangerous’ things - with some pedagogical guidance. It is part of local social work, similar to a youth centre...

Let’s Build a Medieval Tile Kiln - Introducing Experimental Archaeology into the University Curriculum

Gaynor Wood (UK)
7th UK EA Conference Cardiff 2013
***As a lecturer at the University of Central Lancashire (UCLAN) I teach a course on medieval archaeology and run a successful programme in designing exhibitions for local museums and community groups. I also encourage my students to take part in the community archaeology and history projects...