10th Experimental Archaeology Conference

The experimental work directly related to the archaeological evidence turned out to be essential to the investigation, but much of it was too technical for the original publication. Experimental archaeology is its proper context, and I presented the posters this article is based on at the EXARC conference in Leiden in April 2017 (Kruseman, 2017a) and at the KEME symposium in Copenhagen in August 2017 (Kruseman 2017b). Thank you to the organizers and participants!

Experimental Archaeometallurgy and Pilot Experiments

Experimental archaeology applied to archaeo-metallurgical studies (experimental archaeometallurgy) has revealed itself as an essential tool to verify scholars’ hypotheses on the technological processes involved in ancient metallurgy. Experimental archaeometallurgy is a specialist field within experimental archaeology.

Artificially dark patinated copper alloys appear in various times and regions and are commonly applied in prestigious polychrome metallic objects. Currently, the earliest finds known are from ca. 2000 BC in Egypt (See Fig. 1) and Palestine (See Fig. 2), followed by ca. 1500 BC in Greece and Cyprus (See Fig. 3 and 4) and again during the Roman period from ca. the late 4th century BC (See Fig. 5 and 6). 

Introduction

The unwrapping and dissection of mummified bodies was a common practice in 19th century Europe. These autopsies were conducted as part of scientific endeavours and social spectacles, motivated by a desire to advance the fields of science, medicine and archaeology, coupled with a sense of macabre fascination (Moshenska, 2014). The scientific capability required to study mummified remains non-invasively had yet to be developed, leading to the destruction of many hundreds of specimens. 

However, after studying archaeological artistic depictions, historical descriptions and contemporary ethnographic examples as the main research sources for the history of dance and dance movement and its development in the context of early human history, we created a conceptual reconstruction of prehistoric dances. It was presented in the form of an educational dance performance with the goal of presenting the archaeological heritage through a possible vision of dances and dance movements from a number of selected prehistoric periods: Neolithic, Chalcolithic, and Bronze Age.

Experiment Background

Unfortunately, no intact furnaces survive. Only the base plates for these potential furnaces and an additional scattering of sherds exist in the archaeological record. Thus, the shape of the body, lid, and chimneys must be inferred and then tested through experimental bead production.