Archaeological Open-Air Museum

In the early days of the Weald & Downland Open Air Museum, from September 1970, there was a Saxon building on the site, which was one of only two archaeological reconstructions at the museum. This original sunken-floor Saxon building is no longer standing but, after several years in the planning, a new project saw the construction in 2015 of another Saxon building, the Saxon Hall from Steyning...

The seminar was divided into two parts. One group professionally documented the long-term experiment “House 1” in the Museums Village Düppel for the first time. The house was built in the 1970s and left to decay in 1990. The area was freed from vegetation and photographed at regular intervals. The second group reflected on the continuous documentation of reconstructed houses in archaeological...

Archaeological site museums may not be that well defined worldwide, yet, they are found almost everywhere. Archaeological sites with reconstructed buildings based on archaeology however seem to be a younger phenomenon and are mainly concentrated in Europe, Japan and North America. Both types of museums however have old roots. Important is not so much the site per se, but the message...

Butser Ancient Farm has been at the forefront of experimental archaeology in Britain1. for more than 45 years. The pioneering work of its first director Dr Peter Reynolds in the evaluation of Iron Age structures and agriculture demonstrated beyond doubt the importance of experiment in archaeology in the UK and international experimental archaeology work...

Archaeological open-air museums form a colourful and varied assemblage of heritage institutions. These are places where stories about the past, inspired by archaeology, are presented. Their obvious use is for experimental archaeology, ancient crafts and live interpretation. However, these museums can be more relevant to society than meets the eye. They can teach newcomers about...

Some people believe that an open-air museum is a place where you leave your modern technique behind and go ‘low tech’. Other than the museums which act like digital free zones, many others experiment with going digital. Where experience and storytelling have always been the central concepts of archaeological open-air museums, exactly these ideas are behind many digital techniques. We have to...

2018 EXARC in Kernave
***In 1939, a boy called Horst Trzeciak was playing on a piece of land on the outskirts of Berlin. While playing, he found a number of pottery sherds. In an exemplary fashion he brought the sherds to the “Märkisches Provinzialmuseum”, which was, at that time, the city museum of Berlin...

2018 EXARC in Kernave
***When I began investigating this conference I was unclear as to how well EXARC’s focus on experimental archaeology would blend with International Museum Theatre Alliance (Imtal)’s approach of museum theatre and interpretation. They seem after all, two very different disciplines...

2018 EXARC in Kernave
***For over 25 years The Medieval Centre/Middelaldercentret in Nykøbing F. Denmark has used volunteers to inhabit the reconstructed medieval town of Sundkøbing. To combine the use of volunteers and living history is not easy or something that happens spontaneously. It is hard work and requires patience, strength and firmness, but also...

What I consider my first real museum work came from a message on my phone on January 9th from Ann Tippitt, the Director of the Schiele Museum in Gastonia, North Carolina. Ann asked if I was interested in outfitting a Catawba Indian mannequin for the exhibit. Ann wanted a complete set of clothes, weapons and gear...