documentation

RETOLD: Documenting House (Re)constructions – An Excerpt of European Approaches

Julia Heeb (DE) and
George Tomegea (RO)
As part of the EU project RETOLD, the Stadtmuseum Berlin in Germany is responsible for creating standardised documentation strategies for archaeological house models and evaluating them by engaging with the open-air museums of Astra in Romania and the Steinzeitpark Dithmarschen in Germany. In order to start creating these workflows, as a first step, other open-air museum were approached ...

RETOLD: A European Project Digitises Memories of Experimental Archaeology for Their Preservation

Paloma González Marcén and
Clara Masriera Esquerra (ES)
The origins of the European RETOLD project, led by the international association EXARC, lie in a concern to preserve the heritage generated by archaeological open-air museums through the creation of a standardised system for collecting, digitising and disseminating knowledge (memories) of the processes of building reconstruction and handcrafted objects. The project has a duration of four years ...

Approaches to the Documentation of Houses in Open-Air Museums

Enrico Lehnhardt and
Stefan Solleder (DE)
The seminar was divided into two parts. One group professionally documented the long-term experiment “House 1” in the Museums Village Düppel for the first time. The house was built in the 1970s and left to decay in 1990. The area was freed from vegetation and photographed at regular intervals. The second group reflected on the continuous documentation of reconstructed houses in archaeological...

Discussion: The Concept of Authenticity in Collections of Open-Air Museums

For the authors see the article

How is it possible that if you go into an arts museum, the ceramics you see may be made yesterday and may be a valued and legitimate part of the museum collection, while in open-air museums, a similar object may be produced by a master craftsperson yesterday, yet is not called authentic? Are we blinded by historical-archaeological authenticity?...

Blending the Material and the Digital: A Project at the Intersection of Museum Interpretation, Academic Research, and Experimental Archaeology

C. Jeffra,
J. Hilditch,
J. Waagen,
T. Lanjouw,
M. Stoffer,
L. de Gelder and
M. J. Kim (NL)
The power of digital technologies to communicate archaeological information in a museum context has recently been critically evaluated (Paardekooper, 2019). A recent collaboration between members of the Tracing the Potter’s Wheel project, the 4D Research Lab, and the Allard Pierson Museum and Knowledge Institute illustrates the way that such...

Documentation Strategies at Butser Ancient Farm

Trevor Creighton (UK)
Butser Ancient Farm has been at the forefront of experimental archaeology in Britain1. for more than 45 years. The pioneering work of its first director Dr Peter Reynolds in the evaluation of Iron Age structures and agriculture demonstrated beyond doubt the importance of experiment in archaeology in the UK and international experimental archaeology work...

Digital Saryazd: Increasing Tourist Engagement Using Digital Documentation

Kristy-Lee Seaton (AU) and
Miglena Raykovska (BG)
Saryazd Castle is located in Yazd Province, Iran. The castle dates to the Samani era, with later expansion during the Safavid era. Constructed entirely of mud-brick, Saryazd was continuously used until the mid-20th century as a vault, protecting both people and their property. Earthenware structures require continual renewal in order to maintain the integrity of the structure. Today, visitors can...