metallurgy

Pyrgos Mavroraki Smelting and Melting Experiments in a Metallurgical Workshop of the Second Millennium BC

Maria Rosaria Belgiorno and
Livio Pontieri (IT)
Interpreting the cultural influences of Cyprus in antiquity has posed an issue, depending on one’s point of view or the different conclusions reached. Until the 1970s, in large part due to the extensive excavations along the northern coast of Cyprus, it seemed reasonable to recognise a plethora of Aegean traits in the island culture. Every element of the Cypriot Bronze Age was analysed and interpreted in...

Conference Review: ICA II Conference Paris, France

E. Giovanna Fregni (IT)
The ICAII International Conference on Archaeometallurgy was held 25 September to 1 October 2019 at the Sorbonne University, Paris-Saclay University, and at Melle dans le Poitou where experiments were conducted. Papers were delivered in French and English and primarily focused on the metallurgy of the Bronze Age and New Kingdom periods in Egypt and the Middle East, using evidence from...

Experimental Analysis of Metal Points from Quattro Macine: Reproduction and Interpretation

Ruben Cataldo (IT)
This paper relates to a study of experimental archaeology, executed by Ruben Cataldo, about the forging methods used to produce some replicas of two metal points found during the archaeological excavations carried out between 1992 and 1996 by the University of Salento in the medieval village Quattro Macine (translated Four Millstones), located in the municipality of Giuggianello, a small town in...

Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots

Dave Meyers (US)
The ‘West Coast Cumbria’ hoard, discovered in 2014, is a late ninth/ early tenth-century Viking silver hoard, housed at the Beacon Museum, Whitehaven, UK. It is composed of 20 Viking silver objects: bar-shaped ingots and ornaments, in various stages of fragmentation (PAS ‘Find-ID’ LANCUM-FA14C8). One, complete ingot (museum no. 2016.162.5) bears coarse cloth-impressions on its upper surface...

Experimental Archaeometallurgy of Early-Middle Bronze Age Cyprus: Pilot Experiments of Copper Smelting at Pyrgos-Mavroraki

Marco Romeo Pitone (UK)

Experimental Archaeometallurgy and Pilot Experiments

Experimental archaeology applied to archaeo-metallurgical studies (experimental archaeometallurgy) has revealed itself as an essential tool to verify scholars’ hypotheses on the technological processes involved in ancient metallurgy. Experimental archaeometallurgy is a specialist field within experimental archaeology.

Learning to Recreate, Recreating to Learn. Experimental Archaeology

Beatriz Comendador and
Aaron Lackinger (ES),
Elin Figueiredo (PT)
10th EAC Leiden 2017
***This paper aims to present and discuss ongoing activities that combine Experimental Archaeology and Ethnoarchaeology developed in the scope of a master's degree, a post-doctoral and other research projects at the University of Vigo (Galicia, Spain), in collaboration with regional open-air museums and educational centres...

An Experimental Diachronic Exploration of Patination Methodology of Dark Patinated (Arsenical) Copper Alloys on Case Studies from the Eastern Mediterranean Bronze Age and Early Iron Age

Marianne Talma (DE)

Artificially dark patinated copper alloys appear in various times and regions and are commonly applied in prestigious polychrome metallic objects. Currently, the earliest finds known are from ca. 2000 BC in Egypt (See Fig. 1) and Palestine (See Fig. 2), followed by ca. 1500 BC in Greece and Cyprus (See Fig. 3 and 4) and again during the Roman period from ca. the late 4th century BC (See Fig. 5 and 6). 

Now we’re Cooking with Gas! How Experimental Archaeology Challenges Modern Assumptions about Metal Recycling

E. Giovanna Fregni (IT)
It is accepted knowledge that when re-melting alloys, some of the metal with a lower melting temperature is lost through oxidation, and more metal must be added in order to maintain the desired alloy proportions. In order to understand the changes in alloy content when recycling using Bronze Age technology, experiments were undertaken by the author and others...

The Colour Palette of Antique Bronzes: An Experimental Archaeology Project

Jonathan Devogelaere (FR)
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects have a variable percentage of metals, and because of this the colour of the alloy will differ depending on the proportions. The colour of the alloy can be maintained by polishing, but it is also possible to give a patina to the surface of bronze using a reagent...

Conference Review: The Metalworker and his Tools: QUB Belfast Conference

E. Giovanna Fregni (IT)
A recent conference, funded partially by UISPP, was held in Queens University Belfast. While its main focus was on Bronze Age metalsmithing tools and assemblages, the MeTools conference (23-25 June at Queen’s University, Belfast) had several presentations that focussed on experimental archaeology as a means of exploring metalworking craft...