archaeological open-air museum

“Days of Living Archaeology” at the Prehistoric Archaeopark Vsestary, Czech Republic

Radomír Tichý (CZ)
Until recently, the presentation of archaeology in the Czech Republic was solely connected to classic museum exhibitions. Unfortunately, not all museums have archaeological exhibitions. For example, the National Museum in Prague currently does not have any, not even temporary, archaeological exhibition due to the reconstruction of the historical building...

Book Review: das "jungsteinzeitliche" Langhaus in Asparn an der Zaya by E. Lauermann (ed)

Wulf Hein (DE)
In 1970, the Archaeological State Museum of Lower Austria, founded by F. Hampl in the town of Asparn an der Zaya, Austria, some 60 km north from Vienna, was officially declared open. The finds excavated from the region were put on display in the castle of Asparn, whilst the living conditions of prehistoric people were...

The Potential for Open-Air Sites: a Diversified Approach in Emilia, Italy

D. Delpiano,
F. Garbasi and
F. Fontana (IT)
The development of open-air cultural heritage and archaeological areas is based upon their optimal safeguarding and management, and through the public awareness they generate. In this paper, considering different management issues and end goals, we will demonstrate how, through cooperation among specialized professionals, local authorities and ...

A Course in Experiential Archaeology at an Archeopark as a Part of Active University Education

V. Mikešová and
D. Maršálek (CZ)
As with any other science, archaeology constantly adopts new methods and trends over time. University education in the field can be very helpful advancing sciences in every country. This type of education influences the early stages of future top scientists and forms their future careers. Therefore, education should reflect not only scientific innovations but also innovative educational methods...

Book Review: Management of Open-Air Museums. Workpackage 2: “Improvement of Museum Management” by Jakobsen, B & Burrow, S (eds).

Paul Edward Montgomery (UK)
The five year OpenArch project concluded in 2015. It was an effort to create a permanent partnership between Archaeological Open-Air Museums (or, AOAMs) in Europe. The project saw eleven participating organisations come together to – among other objectives – produce work packages that would be accessible to people with an interest in the workings of AOAMs...

High Tech for the Stone Age – iBeacons in Open-Air Museums

Ulrike Kroll and
Rüdiger Kelm (DE)
Over the last few years, a lot of different digital communication technologies for the transfer / transmission of audio-visual informations have been developed, some very sophisticated, some very complicated (and expensive) and in recent times mostly based on applications for mobile devices like smartphones and tablets...

Living History as an Instrument for Historical and Cultural Exchange in German Archaeological Open-Air Museums: an Online Survey Defines Present Status

Tatjana Meder,
Jana Seipelt and
Sabrina Slanitz (DE)

In Germany, for several years now it has become increasingly significant as a means of reflecting the cultural exchange of archaeological open-air museums, as well as in scientific discussions and interdisciplinary meetings

Interview: “I have never Done an Experiment in my Whole Life!” with Mamoun Fansa

Katrin Pres (DE)
For almost 25 years, Mamoun Fansa has been one of the defining personalities within the discipline of experimental archaeology. In 1990, he introduced his exhibition `Experimental Archaeology in Germany’. The exposition continued to circulate all over Germany and Europe for the next 14 years...

A Different Look at the Past - a Tour with Objects at the Archaeological Open-Air Museum Oerlinghausen

Sylvia Crumbach (DE)
Due to the inclusion program at schools in North Rhine Westphalia, the need arose to organise guided tours through the museum in such a way that visually impaired participants could be included in the experience. The idea was to offer an additional level of experiencing information through touch, by creating individual purpose-made objects...