Experimental Archaeology

The Mechanics of Splitting Wood and the Design of Neolithic Woodworking Tools

A. R. Ennos and
J. A. Ventura Oliveira (UK)
Because of the anisotropy of wood, trunks and branches can be vulnerable to splitting along the grain, especially radially. This fact was widely exploited in pre-industrial times, when wood was mostly cut and shaped by splitting it along the grain while still green, rather than by sawing...

Now we’re Cooking with Gas! How Experimental Archaeology Challenges Modern Assumptions about Metal Recycling

E. Giovanna Fregni (IT)
It is accepted knowledge that when re-melting alloys, some of the metal with a lower melting temperature is lost through oxidation, and more metal must be added in order to maintain the desired alloy proportions. In order to understand the changes in alloy content when recycling using Bronze Age technology, experiments were undertaken by the author and others...

Experimental Archaeology as Participant Observation: A Perspective from Medieval Food

Scott D. Stull (US)
10th EAC Leiden 2017
***Central to anthropology is the concept of participant observation, where a researcher engages in immersive learning through ethnographic fieldwork. This concept is also important for archaeologists as immersive learning provides an avenue for more robust interpretation and the development of...

Twenty Years with Flint. The Society for Experimental Prehistoric Archaeology – Where are We Now?

Grzegorz Osipowicz and
Justyna Kuriga (PL)
The Society of Experimental Prehistoric Archaeology (SEPA, www.keap.umk.pl) is an organisation affiliated with the Nicolaus Copernicus University’s Institute of Archaeology since 1998. The first academic supervisor of SEPA was Jolanta Małecka-Kukawka, now led by Grzegorz Osipowicz...

Research, Experimentation and Outreach in the Early Neolithic Site of La Draga (Banyoles-Spain)

A. Palomo,
R. Piqué,
X. Terradas,
J. A. Barceló,
J. A. Rodríguez,
M. Buch,
J. Junkmanns,
M. de Diego and
O. López (ES)
The exceptional preservation of organic material in the early Neolithic site of La Draga (Banyoles, north-east Iberian Peninsula) has allowed lines of research that had rarely been undertaken in the region. The research project carried out at the site of La Draga involves experimental archaeology as a...

The Colour Palette of Antique Bronzes: An Experimental Archaeology Project

Jonathan Devogelaere (FR)
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects have a variable percentage of metals, and because of this the colour of the alloy will differ depending on the proportions. The colour of the alloy can be maintained by polishing, but it is also possible to give a patina to the surface of bronze using a reagent...

Painting Bronze Age Plaster from Thebes Boeotia

Αntonis Vlavogilakis (GR)

The premise

The author is currently studying for a PhD in experimental archaeology at the University of the Aegean. The focus of the research involves the recreation of a 4th Century B.C. wall painting (Tomb of Persephone, Vergina) using the same pigments and painting method that was used by the ancient painter. In this project, we sought to identify the painting technique used, and wanted to demonstrate the way in which the wall was painted. The technique that was used in the tomb is a variation of the fresco technique, which is why we examined similar methods.

A Minoan Experimental House – Paying Tribute to Middle Bronze Age Cretan Vernacular Architecture

Sabine Beckmann (GR)

Prototypes, situation, general description

Especially impressive are the often massive ruins of dwelling foundations referred to as 'oncolithic' in my typology (for details see Beckmann 2012a).These foundations neutralize the often steep slope incline they are built upon, so that the original houses would have stood in a horizontal position. The settlement pattern and surface findings indicate that these installations were vernacular in character and probably housed mixed agricultural farms (ibid.).