Newest Era

Background: The State of an Art?

Over the last three decades, bloomery iron smelting has moved from the largely theoretical to the practical. Although there were certainly earlier attempts via experimental process to build workable furnaces, most of these attempts were basically unsuccessful, at least in terms of actual iron production. Early researchers too often undertook (or at least only formally reported on) limited test series (one or two attempts) and many concentrated far too much on slag, not on the production of metallic iron itself.

Throwing Sticks

The renowned weaver Peter Collingwood briefly mentioned such belts in his book The Techniques of Tablet Weaving (Collingwood, 1982, pp.219-220). Not long before he died in 2008, he contributed a couple of pages on these belts to the book Minority Textile Techniques: Costumes from South-West China (Collingwood, 2007, pp.28-29). 

How is it possible that if you go into an arts museum, the ceramics you see may be made yesterday and may be a valued and legitimate part of the museum collection, while in open-air museums, a similar object may be produced by a master craftsperson yesterday, yet is not called authentic? Are we blinded by historical-archaeological authenticity?...

Spaces that tell stories: Recreating historical Environments is a textbook and a how-to manual for those setting up a new exhibition or living history site, or for those evaluating existing interpretation on a site. Everybody who works in museum education, exhibition and living history knows how fantastic it is when an historical environment engages a visitor in the topic. We also know how difficult it can be...